Artistic Adventurer (Elaiza Tero)
I was tasked to be the Artistic Adventurer of the book
Tuesdays with Morrie by Mitch Albom. I really want to draw or to paint a
picture of Morrie with Mitch, but I can’t , and that made me think that my
groupmates will get disappointed with my work, so I just searched for a photo
in the internet and edited it.
Literary Circle Tuesdays With Morrie by Mitch Albom Book #4
Discussion Director
(Arjun Dango)
1. Though we all know that Morrie is going to die in the
story, still, what did you feel when the doctor said to Morrie that he had
amyotrophic lateral sclerosis (ALS)?
-we all have an idea that Morrie will die in the story but
as the story progresses, we found out what’s the reason of his death, and that
is A.L.S. We felt sad about it but Morrie accepted his condition and about his
death. We all just hope that scientists and doctors will finally find cure to
those who have the same condition with Morrie.
2. If you were Morrie, would you wither up and disappear, or
would you make the best of your life?
-just like Morrie, all of us in our group agreed that we
would make the best of our lives and came up with same thought that if you knew
that you are going to die you should not waste your time sitting and think
miserably, instead, make way to spend time with your love ones and inspire
others.
3. Considering the state of Morrie, would you support him
with his statement “Study me in my slow and patient demise. Watch what happens
to me. Learn with me.”
-we consider two aspects in this statement, one in medical
aspect, and one in social aspect. In medical aspect, we support him with the
statement. A.L.S. has no cure as of these days, so to help for the discovery of
medication; one should volunteer for the sake of experiment. In social aspect,
on the other hand, we strongly support him. In order for an individual to
accept his condition, one needs support and understanding with his condition.
Morrie is facing death and it needs courage and understanding. And with his
advocacy of helping people understand their individual conditions with his
philosophy, their goes his statement, that we should learn with him, because
his facing death and he’s accepting it.
4. What if Mitch had not spent time with Morrie, do you
think he would change?
-all of us agreed that he would not change, when he got his
job, he forget that he should do what would make him happy, to chase his own
dream and not the other’s. But Ron rose up an argument that Mitch doesn’t need
Morrie to change because if you know what you are doing, then there’s no bad
thing about it. Jermaine rebutted that in life, sometimes we needed someone to
make us realize that something is wrong and I added up that sometimes, man
cannot see that what he’s doing is wrong and would make his life miserable. We
need someone to make us see what we cannot see, and that sometimes you cannot
believe what you see, you have to believe what you feel.
5. What if Mitch didn’t become Morrie’s student, do you
think Mitch would care about Morrie’s condition just like other people do?
-John said its human nature, people easily get attached and
sympathize with people who has very bad condition. But in Mitch’s busy
schedule, Elaiza said, he would not make time to watch special show, he even
make promise to his wife that he will make it up to her and always hurry for
his business trip or for his phone call. As we all know, people are busy with
their own business and errands, and so, we ended up with an assumption that
Mitch wouldn’t care about Morrie’s condition.
Passage Picker (Hara Vessa Escabarte)
“Some people walk
around with a meaningful life. They seem half-asleep, even when they’re busy
doing things they think are important. This is because they’re chasing the
wrong things. The way you get meaning into your life is to devote yourself to
your community around you, and devote yourself to creating something that gives
you purpose and meaning” (P. 43)
This
passage in the book strikes me. A simple-sentence-constructed paragraph yet a
meaningful one, this passage made me realize how wrong I was in dealing my
life, on how wrong my friends are in spending their lives. This made me think
how life should be live, how life should be done, I thought making things that
makes us happy are the things that should be done, but I was wrong. Indeed, to
live life is to do things that give us purpose and meaning it is not about
making ourselves happy that may lead us to be a wrong person, happiness doesn’t
define us. The main thing that matters the most in this passage is to live life
useful and meaningful, and find ourselves to be a more purposed persons.
-Nice passage Har! I
just want to add. God made us and gave us life because he has a purpose. Yes we
made mistakes in our lives and that made us think that we are wrong in dealing
it, maybe “wrong” is just too haharsh to use. Hehe. We do things that can make
us happy and that things can make us realize that this is the life we want to
have. Maybe we should just think before doing an action so that in the end we
cannot say that we are “wrong” in dealing our lives. YOLO so Live Life to the
fullest !
Connector(John Salvador Demdam)
Tuesdays with Morrie by Mitch Albom is a story
of a student and a professor having not only a teacher-student relationship,
but like a father and son as well. Morie, the professor, who gives his views
and perceptions towards the issues given by Mitch or Mitchel unto him. This
novel actually touched me so much. This was the first novel that made my tears
came out while reading some of its passages. This novel remembers me of my
father when he was also helpless like Morrie when he was sick and dying. And
even now that I'm making this task as connector, again, this gives me
flashbacks f those times, and I can't help my tears be stock in my eyes, of
course I will not let this fall.
Anyway, I am just so thankful that I have read
this novel, and it made me feel not doing the CONNECTOR as a task but, Im doing
this, for this talks about some parts of my life. I will connect Tuesdas with
Morrie to a poem, amd this poem would be "Death, be not Proud" by
John Donne.
Death Be Not Proud Death be not proud, though
some have called thee Mighty and dreadfull, for, thou art not soe, For, those,
whom thou think'st, thou dost overthrow, Die not, poore death, nor yet canst
thou kill mee. From rest and sleepe, which but thy pictures bee, Much pleasure,
then from thee, much more must flow, And soonest our best men with thee doe
goe, Rest of their bones, and soules deliverie. Thou art slave to Fate, Chance,
kings, and desperate men, And dost with poyson, warre, and sicknesse dwell, And
poppie, or charmes can make us sleepe as well, And better then thy stroake; why
swell'st thou then? One short sleepe past, wee wake eternally, And death shall
be no more; death, thou shalt die.
This poem was given to us by one of my
teachers in college. We are task to analyze it. Of course at first, I found it
difficult for a couple of readings, until I and my classmates discussed it
together, and later on, Im getting the point slowly. This poem actually gives
us the view of not fearing death at all. Let us not consider death as big deal
in the cycle that we are in, and that cycle is "LIFE". It is the
misconception of most of the people that we should be feared by death. So this
poem, simply depicts that let s not be frightened, for if we experience death
when the time comes, it will not happen again. Note the last line of the poem,
"And death shall be no more; death, thou shalt die." So the
connection of the poem in the story is that, Morrie does'nt have any
hesitations and questions of facing his death. He knows that he's living his
life with a limited time and he make sures of living it to the fullest. That
fullest includes of him as an inspiration not only for himself but also to
other people. There was this line in the novel, "Mitch, I embrace
aging". "It's very simple, as you grow, you learn more... Aging is
not just decay, you know, its growth." Morrie is underatanding that he is
going to die, and by it, he live a better life. It was just one of Morrie's
positive outlooks he protrayed in the novel. Let me just say this, "The
process of learning never stops as we are in the process of living."
Morrie was just a living manifestation of living your life fruitfully even if
when you are in the darkest phase of it.
-Good connection John!
I also thought of that poem while reading the novel. I love that Poem actually!
;) GoodJob!
Character Captain (Jermaine Dela Cruz)
Morrie Schwartz as The Dying
Man, The Mentor and The Tailor Retailored
The Dying Man
The
persona where the title of the novel was drawn, Morrie has spent most of his
life as a professor of sociology at Brandeis University. An excellent teacher,
and retires only after he begins to lose control of his body to ALS,
Amyotrophic Lateral Sclerosis, also known as Lou Gherig's disease, he realizes that
his time is running out, and that he must share his wisdom on the meaning of
life with the world before it is too late. He is successful in two ways,
through the “Nightline” show with Ted Koppel and through Mitch Albom who later
published this novel in his memory. He and Mitch plan for the book during his
dying days calling it their "final thesis”.
The Mentor
Morrie’s signature is his ability to draw human spirit and
genuine emotion from everyone he befriends. He is able to change
Koppel, who is a thick-skinned national celebrity. He even draws tears out of Koppel
after they are done filming the last interview for the “Nightline” show. Morrie
believes that love and compassion are crucial methods of communication. He is
determined to see Mitch return to his caring self that he was in college when
in Morrie’s class. In telling Mitch stories of his life
experiences and personal beliefs, he teaches him to reject the corrupt mores
endorsed by popular culture in favor of his personal, ethical system of values.
The
Tailor “Retailored”
He has lived and loved
to his fullest extent, and is intent on continuing to do so as he dies. Having
always lived as a fiercely independent man, it is difficult for him to rely on
others for all of his basic needs, it’s as if he has returned to his childhood and is finally
getting the love and compassion he so longed for as a young boy. In his childhood, he has been deprived of love
and attention, and now that he is once again reliant on others as he was in his
infancy, he thrives on the love and physical affection provided by his friends
and family.
Mitch Albom as The Dreamer, The Student and The Redeemed
The Dreamer
Mitch is a sports writer who has surrendered his dreams of becoming a
musician. He works most days and nights dedicating little time to himself or
his wife. When the union for the Detroit newspaper goes on strike, he finds
himself for the first time, without steady work or paycheck. Upon learning of
the strike, he grows increasingly frustrated by the career and life decisions
he has made, and experiences a life-altering epiphany in which he realizes that
he needs to change. The Student
Despite the uneasiness he has felt, he visits the sick Morrie and through his meetings with him, he realizes that he must change this life in which he thought he was happy. He wants another chance to reassess his values and priorities so that he can create a fulfilling life for himself before it is too late.
The Redeemed
Mitch
feels so thankful to have had Morrie in his life; for he has helped bring value
and purpose into Mitch’s life. Through the plot Mitch wishes to express how
Morrie has changed his life, through these Tuesday lessons express his
teachings and values to the world and he was able to do that through his novel.
Vocabulary (Ronald Surilla)
Tuesday with Morrie (Vocabulary Words)
biopsy (pg.7) “Finally, when nothing could be found, one doctor ordered a muscle biopsy, taking a small piece out of Morrie’s calf.”
- an examination of tissue removed from a living body to discover the presence, cause, or extent of a disease. (n)
deferments (pg.10) “Morrie gave all his male students A’s to help them keep their student deferments.”
- the action or fact of putting something off to a later time; postponement. (n)
aphorism (pg.18) “After a while, he had more than fifty of these “aphorisms,” which he shared with his friends.”
- a pithy observation that contains a general truth, such as, “if it ain't broke, don't fix it.” (n)
atrophied (pg.48) “They were loose because his legs had atrophied beyond normal clothing size”
- (of body tissue or an organ) waste away, typically due to the degeneration of cells, or become vestigial during evolution. (n)
opiate (pg.67) “I begin a year-long project on how football in America has become ritualistic, almost a religion, an opiate for the masses.”
- relating to, resembling, or containing opium. (adj.)
communal (pg.74) “After their mother’s death, the two boys were sent off to a small hotel in the Connecticut woods where several families shared a large cabin and a communal kitchen.”
- shared by all members of a community; for common use. (adj.)
agnostic (pg.81) “He was born Jewish, but became an agnostic when he was a teenager, partly because of all that had happened to him as a child.”
- a person who believes that nothing is known or can be known of the existence or nature of God or of anything beyond material phenomena; a person who claims neither faith nor disbelief in God. (n)
teeming (pg.90) “Boston was teeming with students, double-parked on side streets, unloading trunks.”
- be full of or swarming with. (v)
lavalier (pg.90) “need to remind Morrie of his dwindling time. For our taped conversations, we had switched from handheld microphones—because it was too difficult now for Morrie to hold anything that long—to the lavaliere kind popular with TV newspeople.”
- a small microphone hung around the neck of the user. (n)
lilting (pg.100) “Charlotte, a beautiful gray-haired woman who spoke in a lilting voice.”
- speak, sing, or sound with a lilt. (v)
mogul (pg.123) “The quote was from Ted Turner, the billionaire media mogul, founder of CNN, who had been lamenting his inability to snatch up the CBS network in a corporate megadeal.”
- an important or powerful person, especially in the motion picture or media industry. (n)
inconsequential (pg.127) “Because I worked among rich and famous athletes, I convinced myself that my needs were realistic, my greed inconsequential compared to theirs.”
- not important or significant. (adj.)
stagnated (pg.130) “Back in Detroit, the labor war had stagnated, with each side accusing the other of failing to communicate.”
- cease developing; become inactive or dull. (v)
whimsical (pg.165) “Even in bronze, he had a whimsical look, and I thought this friend had sculpted a little spirit as well.”
- playfully quaint or fanciful, especially in an appealing and amusing way. (adj.)
alabaster (pg.152) “Yeah, I joked as I rapped my fist against the alabaster skin of his back.
- a fine-grained, translucent form of gypsum, typically white, often carved into ornaments. (n)
biopsy (pg.7) “Finally, when nothing could be found, one doctor ordered a muscle biopsy, taking a small piece out of Morrie’s calf.”
- an examination of tissue removed from a living body to discover the presence, cause, or extent of a disease. (n)
deferments (pg.10) “Morrie gave all his male students A’s to help them keep their student deferments.”
- the action or fact of putting something off to a later time; postponement. (n)
aphorism (pg.18) “After a while, he had more than fifty of these “aphorisms,” which he shared with his friends.”
- a pithy observation that contains a general truth, such as, “if it ain't broke, don't fix it.” (n)
atrophied (pg.48) “They were loose because his legs had atrophied beyond normal clothing size”
- (of body tissue or an organ) waste away, typically due to the degeneration of cells, or become vestigial during evolution. (n)
opiate (pg.67) “I begin a year-long project on how football in America has become ritualistic, almost a religion, an opiate for the masses.”
- relating to, resembling, or containing opium. (adj.)
communal (pg.74) “After their mother’s death, the two boys were sent off to a small hotel in the Connecticut woods where several families shared a large cabin and a communal kitchen.”
- shared by all members of a community; for common use. (adj.)
agnostic (pg.81) “He was born Jewish, but became an agnostic when he was a teenager, partly because of all that had happened to him as a child.”
- a person who believes that nothing is known or can be known of the existence or nature of God or of anything beyond material phenomena; a person who claims neither faith nor disbelief in God. (n)
teeming (pg.90) “Boston was teeming with students, double-parked on side streets, unloading trunks.”
- be full of or swarming with. (v)
lavalier (pg.90) “need to remind Morrie of his dwindling time. For our taped conversations, we had switched from handheld microphones—because it was too difficult now for Morrie to hold anything that long—to the lavaliere kind popular with TV newspeople.”
- a small microphone hung around the neck of the user. (n)
lilting (pg.100) “Charlotte, a beautiful gray-haired woman who spoke in a lilting voice.”
- speak, sing, or sound with a lilt. (v)
mogul (pg.123) “The quote was from Ted Turner, the billionaire media mogul, founder of CNN, who had been lamenting his inability to snatch up the CBS network in a corporate megadeal.”
- an important or powerful person, especially in the motion picture or media industry. (n)
inconsequential (pg.127) “Because I worked among rich and famous athletes, I convinced myself that my needs were realistic, my greed inconsequential compared to theirs.”
- not important or significant. (adj.)
stagnated (pg.130) “Back in Detroit, the labor war had stagnated, with each side accusing the other of failing to communicate.”
- cease developing; become inactive or dull. (v)
whimsical (pg.165) “Even in bronze, he had a whimsical look, and I thought this friend had sculpted a little spirit as well.”
- playfully quaint or fanciful, especially in an appealing and amusing way. (adj.)
alabaster (pg.152) “Yeah, I joked as I rapped my fist against the alabaster skin of his back.
- a fine-grained, translucent form of gypsum, typically white, often carved into ornaments. (n)
-goodjob Ron. Sometimes i get confused with the words. Thanks for the vocab!
Author’s Purpose:
For me the author’s purpose in using these words is to make more vivid description in themessage he is trying to convey. Through these words he can able to communicate with his readers using exact and precise words in the book.
Author’s Purpose:
For me the author’s purpose in using these words is to make more vivid description in themessage he is trying to convey. Through these words he can able to communicate with his readers using exact and precise words in the book.
Summarizer (Ryan
Mark L. Catanio)
Summary
Mitch Albom wrote this novel in memory
of his most beloved college professor, Morrie Schwartz.This story is about "The most important thing in
life is to learn how to give out love, and to let it come in."(p.52).At
the beginning of the novel, Mitch is in the house of his old professor to take
his class about The Meaning of Life, every Tuesday. He said that it was his
professor’s last class, where he is the only student.
Mitch
recalls his memory from his graduation day of his college life. He gave his
professor a present: tan briefcase with his professor initial on front. They
hug and say goodbye to each other and when Mitch sees that Morrie is crying, he
promise that he will stay in touch with Morrie. But Mitch broke his promise.
Morrie has since been diagnosed with amyotrophic lateral sclerosis, or
ALS, this cause him to lose and give-up his dancing, swimming and even privacy.
Mitch, sixteen
years after his graduation has become a frustrated musician. Later on, his
uncle died out of pancreatic cancer, which gives him a way to realized that his
life has just become a waste. Mitch abandons his failing career as a musician
to become a well-paid journalist for a Detroit newspaper. He marries Janice,
and promise her to that they will have children eventually, though he spends
all of his time at work, away on reporting assignments. One night, while he is
watching the television he recognized Morrie’s voice being interviewed with Ted
Koppel (British American broadcast journalist, best known as the anchor for
Nightline). Mitch is stunned to see his
former professor on television.
Following Morrie's television
appearance, Mitch travel from his home to his old professor’s home. When Mitch
drives up to Morrie's house, he delays greeting his professor because he is
speaking on the phone with his producer, a decision he later regrets. They
greet and have talks. Mitch promise to come back again, and thought to himself
that he will never break his promise again.
Shortly after his reunion with Morrie,
Mitch works himself heavily of reporting on the Wimbledon tennis tournament in
London. There, he spends much time thinking about Morrie and forfeits reading
the tabloids, as he now seeks more meaning in his life and knows that he will
not gain this meaning from reading about celebrities and gossip. He is knocked
over by a swarm of reporters chasing celebrities Andre Agassi and Brooke
Shields, and it is then that Mitch realizes he is chasing after the wrong thing.
When he returns to his home, Mitch learns that the article he has worked so
hard to write will not even be published, as the union he belongs to is
striking against the newspaper he works for. Once more, Mitch travels to Boston
to visit Morrie.
Now, Mitch is taking a class to Morrie
every Tuesday.
The first Tuesday they talk about “The
World”. They discuss a bit of news going on in the world and Morrie cries.
Morrie tells him how he cries about things that are going on across the world
because he feels close to the people who are suffering. Morrie recalls his
memory about his college classes where Mitch is one of his students. Morrie
enters the room and is silent for about fifteen minutes. The students become
uncomfortable which leads into a discussion regarding silence. Mitch is not bothered by the silence and
while he is walking out of Morrie's class, Morrie stops him and tells him that he
reminds him of himself.
The second Tuesday they talk about
“being sorry for yourself”. Mitch asks Morrie if he feels sorry for himself.
His response is, “sometimes, in the mornings,” he says, “thats when I mourn. I
feel around my body, I move my fingers and my hands-whatever I can still move-
and I mourn what I've lost”. Mitch is
amazed how Morrie thinks he is lucky to know he is dying because he has so much
time to say goodbye. Mitch offers to lift him into the chair, and later
realizes that their time together is running out. Mitch thinks back to a
specific class with Morrie during his junior year in college. Morrie had each
student to fall backwards in trust that their assigned partners would catch
them. Only one student completes the trust exercise correctly. Mitch.
The third Tuesday they talk about
“regrets”. Mitch brings a tape recorder to Morrie’s in order to remember their
discussions. They discuss regrets and how people don’t think about what they
really want from life: “the culture
doesn't encourage you to think about such things until you're about to die”.
Morrie tells him, to ask anything. So, on the plane ride home that day, he
makes a list of all of the questions he had for Morrie.
Koppel visit Morrie again for another
interview. With his interview, Morrie revealed his childhood. In his childhood,
Morrie had been very poor. His father, Charlie had been cold and dispassionate,
and had neglected to provide for Morrie and his younger brother emotionally and
financially. At the age of eight, Morrie must read the telegram that brings
news of his mother's death, as he is the only one in his family who can read
English. Charlie marries Eva, a kind woman who gives Morrie and his brother the
love and affection they need. Eva also instills in Morrie his love of books and
his desire for education. However, Charlie insists that Morrie keep his
mother's death a secret, as he wants Morrie's younger brother to believe that
Eva is his biological mother. This demand to keep his mother's death a secret
proves a terrible emotional burden for young Morrie; he keeps the telegram all
of his life as proof that his mother had existed. Because he was starved of
love and affection during his childhood, Morrie seeks it out in his old age
from his family and friends.
The forth Tuesday they talk about
“death”. They discuss death and how most people do not believe that they are
ever going to die.Morrie asks Mitch that if he could accept the fact that he
could die at any time, would he still work as much as he does. Morrie feels that if people, in general, were
able to believe that they could die at any moment, that they would live their
lives differently. Morrie recalls his memory aboutdiscussing Lou Gehrig and his
baseball career.
The fifth Tuesday they talk about
“family”. Morrie and Mitch discuss family and children.Morrie emphasizes the
importance of love, especially love from a family. He says that those people
without love are birds without wings. He feels that if he did not have the love
and support from his family, that he would have nothing at all.The discussion
has led Mitch to think about his younger brother, who move to Europe and got
caught of pancreatic cancer. His brother does not want anyone to help with his
cancer, which made him angry with. He then recalls a memory of him and his
brother sledding when they were children. The sled went in front of a car and
the boys jumped off to safety. The two were filled with pride at having just
skipped death.
The sixth Tuesday they talk about
“emotions”. Mitch goes to Morrie’s house and is surprised to see his wife,
Charlotte. He shows her the food he brought for Morrie, but she turns it down,
because his husband can’t take those hard-to-swallow foods. They discuss how it
is important to fully accept something and then let it go. Morrie says you need
to know the emotion you are feeling and realize that it can’t hurt you, it can
only help you.
The seventh Tuesday they talk about
“fear of aging”. Morrie can no longer take care of himself, which needed him to
let other people to take care of him. Instead of being frustrated he is
enjoying all the people around him who are helping him and taking care of him.
Morrie think that aging in the time to learn more, gain a better understanding
of your life and to experience growth. He also teaches Mitch that aging is not
something to fear with, except when someone needs to watch you in the bathroom.
The eight Tuesday they talk about “money”.
Morrie and Mitch are influenced by a quote from the newspaper and discuss money
and power.Morrie explains to Mitch that people use money as a substitute for
love because they do not get enough. Morrie tells Mitch that in order to feel
satisfied; people should offer to others what they have, whether it is a skill
or simply just listening.
The ninth Tuesday they talk about “how
love goes on”. Morrie and Albom talk about love. Morrie tells Mitchthat is the
love of people around him that keeps him alive.
On the tenth Tuesday they talk about “Marriage”. Mitch brings his wife, Janine to see Morrie.
Janine who has a god voice sings 1930’s song by Ray Noble in front of Morrie. When
she finished singing, Mitch noticed tears running down Morrie’s face. He and
Morrie then discuss marriage and Morrie shares with him what he has learned
through his many years of marriage.He tells Mitch that you must have the same
belief in the importance of marriage if the relationship is going to work.
The eleventh Tuesday they talk about
“culture”. Morrie tells Mitch about how our culture has wrong ideas, and it is
smart not to buy into it.They discuss how our culture has us believe that we
must be ideal people, men must be rich and women must be thin. Morrie thinks
that people do not see what they could be, how much potential they have. Morri,
then recall his memory, once in basketball game at University. The students are
chanting to the team, “We’re number one!”, and finally, Morrie is so tired of
this he stand up and says, “what’s wrong with being number two?”.
Koppel visits Morrie for the third
time. Koppel asks him how bad it is, and Morrie lifted up his hand as far as he
could, halfway up his belly, and Koppel understood that this was as much as he
could move. Morrie explains to Koppel
that once he can no longer be responsive to other people, he is no longer
living.He also tells Koppel he wants to die serenely.
The twelfth Tuesday Morrie and Micth
talk about “forgiveness”. Morrie says to forgive yourself before you die, then
forgive others. Morrie tells him that if he could have had another son, he
would have liked it to be Mitch. The convesayion flashes back when Morrie found
the place in which he would like to be buried. It is on a hill beneath a tree
and overlooking a pond. He hopes that Albom will come visit him and tell him
all his problems.
The thirteenth day they talk about
“perfect day”. Morrie describes the perfect day as a simple day of being with
friends and dancing. They then discuss Mitch’s sick brother who he has been
trying to reach for weeks. Mitch cannot understand how his brother wants to be
left alone during this time. Morrie tells him that he will eventually find a
way back to his brother just as he found him. He says that death is the end,
but not relationships.
On the last Tuesday, Morrie and Mitch
says goodbye to each other. Charlotte had called Mitch to tell him that Morrie
was not doing well but he still wanted to see him. When Mitch arrived, Morrie
was still asleep and now just lying in his bed. Mitch thought of one of
Morrie's idea, “when you're in bed, you're dead”, and tried to push the thought
away. Morrie could barely talk, he was having tons of trouble breathing and Mitch
knows Morrie's last days are here. He was very weak; he told Mitch that he was
not doing well, and that he loved him. Mitch kissed Morrie, longer than usual,
and finally began to cry.
Charlotte had called Albom to
tell him that Morrie was not doing well but he still wanted to see him. When
Albom arrived, Morrie was still asleep and now bed ridden. Albom thought of one
of Morrie's aphorism, “when you're in bed, you're dead”, and tried to push the
thought away. Morrie could barely talk, he was having tons of trouble breathing
and Albom knows Morrie's last days are here. He was very weak; he told Albom
that he was not doing well, and that he loved him. Albom kissed Morrie, longer
than usual, and finally began to cry.Albom thought about what Morrie said, “you'll
talk, I'll listen”, and talks with Morrie in his head and noted how familiar
the conversation felt. He then realized that it was Tuesday.
One of the main things that
Morrie taught Mitch was that, "there is no such thing as 'too late' in
life". Mitch seemed to take this thought to heart, as he was inspired to
contact his sick brother in Spain. Mitch told him that he respected his
decision to distance himself, but that he wanted to stay in contact because
Mitch loved him. Mitch stated that he had never said such a thing to his
brother; it seems as though by Mitch
telling his brother that he loves him, also allowed his brother to see that it is never too late to regain
contact and include his family in his
life.
-Good Summary bru!
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